Iñigo Giner Miranda
studied his piano bachelor under Albert Nieto‘s guidance in Vitoria, and from 2002 on, and with a scholarship from the Basque government, studied composition at the Amsterdam Conservatorium with Wim Henderickx, and privately with Richard Rijnvos. During 2008-2011 he was a Master student at the UdK Berlin in Elena Mendoza‘s class. He graduated there with a study project that aimed to research on the integration of extra-musical elements into the musical discourse, a project for which he was awarded a DAAD/La Caixa scholarship.
His music has received several prizes and honorable mentions, and he regularly receives commissions from renowned ensembles and Festivals (such as Münchener Biennale 2012 and Alicante Festival 2011, a.o.).
As a piano player/performer he works mainly in the field of music-theatre. He has worked for stage directors and composers such as Ruedi Häusermann, Barbara Frey, Mathias Rebstock and Elena Mendoza, and performed in theatres all over Europe (Teatro Real Madrid, Schauspielhaus Zürich, Thalia Theater Hamburg or Schauspielhaus Köln among others).
www.iginermiranda.com
His music has received several prizes and honorable mentions, and he regularly receives commissions from renowned ensembles and Festivals (such as Münchener Biennale 2012 and Alicante Festival 2011, a.o.).
As a piano player/performer he works mainly in the field of music-theatre. He has worked for stage directors and composers such as Ruedi Häusermann, Barbara Frey, Mathias Rebstock and Elena Mendoza, and performed in theatres all over Europe (Teatro Real Madrid, Schauspielhaus Zürich, Thalia Theater Hamburg or Schauspielhaus Köln among others).
www.iginermiranda.com
Vera Kardos
was born in Hungary, brought up in Switzerland and currently lives in Berlin, where she works as a musician mainly for the theatre and early music scenes.
She began her studies at the Guildhall School of Music and Drama in London with Detlef Hahn, and continued in Bern with Hanna Weinmeister. In 2009 she graduated with distinction in Sebastian Hamann‘s and Brian Dean‘s class in Lucerne. Parallel to her musical education she studied two years philosophy at the Humboldt University (Berlin). She plays regularly with orchestras such as Elbipolis (Hamburg), Anima Eterna (Bruges) and la Scintilla (Zurich), works with the musico-theatrical ensemble O.D.D. and is lead violin in the Berlin band Shmaltz.
She began her studies at the Guildhall School of Music and Drama in London with Detlef Hahn, and continued in Bern with Hanna Weinmeister. In 2009 she graduated with distinction in Sebastian Hamann‘s and Brian Dean‘s class in Lucerne. Parallel to her musical education she studied two years philosophy at the Humboldt University (Berlin). She plays regularly with orchestras such as Elbipolis (Hamburg), Anima Eterna (Bruges) and la Scintilla (Zurich), works with the musico-theatrical ensemble O.D.D. and is lead violin in the Berlin band Shmaltz.
Daniele Pintaudi
studied piano in La Chaux-de-Fonds, Zurich, Basel und Paris. He received prizes from the Swiss Musicians Association (STV) both in 1998 and 2000, and the Basel Academy of Music granted him a residence scholarship in Paris. He toured Switzerland and China with the Nouvel Ensemble Contemporain (NEC), which he co-founded, and in 2009 was awarded the Berlin residence scholarship from the Neuchâtel Canton.
Between 2004 and 2007 he pursued acting studies in Geneva and Bern. Since then he has performed in numerous theatre and music-theatre pieces by, among others, Leo Dick (in Bielefeld, Berlin and Bern), Françoise Courvoisier (in Geneva, Lausanne, Biel, Basel and Brussels) and Ruedi Häusermann (Berlin, Vienna and Zürich).
Together with director Fabrice Huggler he has created his own musical shows: „éRotativa“ (2003) and „Je suis un écho qui se tient devant le miroir“ (2008). He produced and played "Marianne & Johan" (2013), by Ingmar Bergman, directed by Nathalie Sandoz, in La Chaux-de-Fonds (CH).
Between 2004 and 2007 he pursued acting studies in Geneva and Bern. Since then he has performed in numerous theatre and music-theatre pieces by, among others, Leo Dick (in Bielefeld, Berlin and Bern), Françoise Courvoisier (in Geneva, Lausanne, Biel, Basel and Brussels) and Ruedi Häusermann (Berlin, Vienna and Zürich).
Together with director Fabrice Huggler he has created his own musical shows: „éRotativa“ (2003) and „Je suis un écho qui se tient devant le miroir“ (2008). He produced and played "Marianne & Johan" (2013), by Ingmar Bergman, directed by Nathalie Sandoz, in La Chaux-de-Fonds (CH).
Cathrin Romeis
graduated, after pursuing musical studies (cello and guitar) on acting and theater studies at the UdK Berlin. In the past few years she has focused mainly on productions involving musicians and music-theatre productions.
She has thus worked extensively with music-theatre directors, such as Ruedi Häusermann and Cordula Däuper, as well as music-theatre groups such as OperDynamoWest, and composers like Johannes Kreidler and Iñigo Giner Miranda. She has performed in venues all over Europe, HAU Berlin, the Wiener Festwochen Festival, Braunschweig Theatre or the Düsseldorfer Schauspielhaus among others. She worked with the performance group HOTEL EUROPA, and works regularly as a narrator and presenter for different radio programs and audio books.
http://www.cathrinromeis.com/
She has thus worked extensively with music-theatre directors, such as Ruedi Häusermann and Cordula Däuper, as well as music-theatre groups such as OperDynamoWest, and composers like Johannes Kreidler and Iñigo Giner Miranda. She has performed in venues all over Europe, HAU Berlin, the Wiener Festwochen Festival, Braunschweig Theatre or the Düsseldorfer Schauspielhaus among others. She worked with the performance group HOTEL EUROPA, and works regularly as a narrator and presenter for different radio programs and audio books.
http://www.cathrinromeis.com/
Meriel Price
After studying at Berkshire College of Art and Design, where she specialised in sculpture, Meriel Price studied saxophone at the Royal Northern College of Music, Manchester and at the Universität der Künste, Berlin.
As a musician she works as a soloist, chamber and orchestral musician and has performed with ensembles such as the Berlin Philharmonic and MDR Orchestra Leipzig. As a visual artist she works on projects which combine visual art and music such as “Who is the Most Powerful on Earth?” which has been performed in festivals such as the Lucerne Festival. The book of the project was published in 2014 by NordSüd.
She has performed in many music theatre and experimental theatre works such as A Game of Fives (Munich Biennale 2012), and also creates her own music theatre works such as Aside (150% Hamburg Theaterfest 2014), Reclaim Your Opera (KlangKunstBühne 2013) and I'm Feeling Unwell (Labor Sonar 2013).
www.merielprice.com